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Original Message "RE: Large-scale mural advice needed" Posted by mozart on 01-Jun-10 at 12:58 PM Mike, My solution is just one approach to a problem. If the site of the work(especially if it is large and takes a considerable amount of time to complete) is in a location where it may possibly show for a long long time, it may be best to insure that the surface is of the best quality and craftmenship. It is possible to paint a fresco in a studio, remove it from the wall, and transfer it to a light-weight fiber glass surface. These mounts are easy to install, do not have a heavy load,and may go on a variety of surfaces. See fresco museum in Pisa. Yes, there are a variety of board surfaces that work well with slaked plaster. See this website or email Gary. The instruction,artists,and projects I have worked on have followed more traditional methods and steps that have proven successful for centuries; this is why I would offer such advice. It is just one suggestion to consider. You are right to think carefully about a surface because so much rests above it. Good luck. Mozart

Go back     FAQ       Conferences Post form Your Message Name*: Subject*: Message*:   HTML Ok Use [] in place of <> HTML Reference   Images Ok   Click on a smilie to add it to your message.   >Mike, > >My solution is just one approach to a problem. >If the site of the work(especially if it is >large and takes a considerable amount of time to >complete) is in a location where it may possibly >show for a long long time, it may be best to >insure that the surface is of the best quality >and craftmenship. It is possible to paint a >fresco in a studio, remove it from the wall, and >transfer it to a light-weight fiber glass >surface. These mounts are easy to install, do >not have a heavy load,and may go on a variety of >surfaces. See fresco museum in Pisa. Yes, there >are a variety of board surfaces that work well >with slaked plaster. See this website or email >Gary. The instruction,artists,and projects I >have worked on have followed more traditional >methods and steps that have proven successful >for centuries; this is why I would offer such >advice. It is just one suggestion to consider. >You are right to think carefully about a surface >because so much rests above it. Good luck. > >Mozart Check if you DO NOT wish to use emotion icons in your message

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