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Original Message "RE: combining sculpturing with painting" Posted by ullip on 22-Nov-00 at 01:56 PM LAST EDITED ON 22-Nov-00 AT 01:59 PM (PST) thanx for answering, gary! yes, i heard about these opinions, too - as well as from the other side (the painter's opinion): you can't walk around a painting... in that case i think that 180 degrees are at least half a circle, and i've seen works of the renaissance, in which famous painters played with that fact and painted details you only can detect if you look from very aside of it. perhaps 'colouring' sculptures is a better word for what i mean. that includes the possibility of variing the intensity of the color (like much color in the trays and less on the vaults) to avoid this flatness effect. but there's still the main question left: WHICH SORT OF COLOR is the most appropiate for stone-colouring? ulli, the lucky dog

Go back     FAQ       Conferences Post form Your Message Name*: Subject*: Message*:   HTML Ok Use [] in place of <> HTML Reference   Images Ok   Click on a smilie to add it to your message.   >[font size="1" color="#FF0000"]LAST EDITED ON >22-Nov-00 AT 01:59 PM (PST)[/font] > >thanx for answering, gary! >yes, i heard about these opinions, too - as well >as from the >other side (the painter's opinion): you can't >walk around a >painting... in that case i think that 180 >degrees are at least >half a circle, and i've seen works of the >renaissance, in which >famous painters played with that fact and >painted details you >only can detect if you look from very aside of >it. >perhaps 'colouring' sculptures is a better word >for what i mean. >that includes the possibility of variing the >intensity of the >color (like much color in the trays and less on >the vaults) to >avoid this flatness effect. >but there's still the main question left: WHICH >SORT OF COLOR >is the most appropiate for stone-colouring? >ulli, the lucky dog Check if you DO NOT wish to use emotion icons in your message

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